Tag Archives: Bartzabel
In the context of the art world, this connection is a new one—it hasn’t really been explored. Certainly there have always been artists interested in the occult, and who allowed that to inspire their work—it even became a kind of subgenre in early Modernism, but it was often hidden under the formal content of the work, as in the case of Piet Mondrian, for instance. But the overt connection, with the performance of ritual magick as art, is something new. I think it is a step towards a more intimate relationship between artist and audience—I am reminded of something that Marina Abramovic elucidated to me about the occult in the context of performance, that the future will be one of a non-objective world without art in the sense that we have it now. She foresees us attaining a mental state and level of consciousness enabling us to transmit thoughts to other people. “There will not be sculptures, or paintings, or installations,” she once said, “there will just be the artist standing in front of a public, which is developed enough to receive a message or energy.” I think the fusion of art and ritual is a step toward that kind of connectivity and that kind of intimacy.